av CO Cederlund · 2002 · Citerat av 2 — Marine Environment Archaeological Remains Underwater Environment Merchant Ship Westerdahl, C., 1987, The Norrland Sailing Route II. Westerdahl, C., 1989, The Norrland Sailing Route I. Sources of the maritime cultural landscape.

av U AV — person in the process of introducing cultural heritage legislation in Norway, and the systematic og nordover var det en spesialisering basert på maritime ressurser hvor jakt på sjøpatte- Westerdahl, Christer 1995: Society and Sail. One of these tells of how Guttorm was given the landscape which king Skjold once pos-.

It presents and discusses the concept of Westerdahl's Maritime Cultural Landscape in Under the term maritime cultural landscape, Christer Westerdahl has established a short “checklist” for the aspects of (predominantly) maritime culture that is more or less globally applicable. The “checklist” includes the economic landscape, with its origin in maritime cultures originally concentrating on local fishing and other maritime resources, within which adapted ships first Westerdahl's concept of the maritime cultural landscape aimed to include all aspects of the human utilisation of maritime space such as: boats, landing places, settlement, fishing, hunting and all of the attendant features and material culture of maritime communities (1992, 5; 2011, 337). This article is an overview of the work that has been conducted so far on river usage and nautical technology in the history of Angkor, and a discussion on how maritime approaches can contribute to the creation of new knowledge by opening new lines of research that can help us reconstruct a more nuanced view of Angkor’s fluvial history. CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): During the maritime archaeological survey of the coast ofSwedish Norrland 1975-80(Westerdahl, 1978; 1980a,b; 199 1 a) the need arose for a scien-tific term for the unity of remnants of maritime Westerdahl has subsequently broadened his definition of maritime cultural landscape as: ‘the archaeological concept combining sea and land would be the maritime cultural landscape. It means that the starting point for the subject of maritime archaeology is maritime culture’ ( Westerdahl 1998 ). A historiography of Angkor’s river network : shifting the research paradigm to Westerdahl’s Maritime Cultural Landscape: Tekijä: Walker Vadillo, Veronica: Muu tekijä: University of Helsinki, Helsinki Collegium for Advanced Studies Does the concept of maritime cultural landscapes bridge a division between land and sea, or does it maintain a gap that perhaps doesn’t even exist? This paper discusses maritime and maritime cultural landscapes as phenomena in the light of Actor Network Theory, where maritimity is given attention as a derivation of the modern metaphysics as described by Bruno Latour.

Westerdahl maritime cultural landscape

Westerdahl, Christer (1987). the maritime cultural landscape: report from a survey in Norrland and northern Roslagen, Sweden, in 1975-1980 av A Hansson · 2019 · Citerat av 3 — The results show a rapid transformation of the coastal landscape during gives evidence of a cultural adaptation towards a marine economy Research Reports nr Westerdahl, Christer: Förhistoria, Fornlämnings- och The Norrland Sailing Route I. Sources of the maritime cultural landscape. av J Ling · 2012 · Citerat av 25 — Cognitive landscape and communication with rock carvings in northernmost Europe. Elevated Rock Art: Towards a Maritime Understanding of Bronze Age Rock Art in Northern Bohuslän, Westerdahl, C. 2005. Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe. a maritime archaeological survey. Cultural landscape.

This article also aims to contribute to the understanding of indigenous navigation practices and technologies and their origins from prehistoric times to the mid-twentieth century.

View Maritime Cultural Landscape and Seascapes Research Papers on Academia.edu for free.

This article is an overview of the work that has been conducted so far on river usage and nautical technology in the history of Angkor, and a discussion on how maritime approaches can contribute to the creation of new knowledge by opening new lines This article is a contribution to the study of the indigenous navigation and its boats in the region of northern Patagonia. This article also aims to contribute to the understanding of indigenous navigation practices and technologies and their origins from prehistoric times to the mid-twentieth century. It presents and discusses the concept of Westerdahl's Maritime Cultural Landscape in Under the term maritime cultural landscape, Christer Westerdahl has established a short “checklist” for the aspects of (predominantly) maritime culture that is more or less globally applicable.

simply belong to a cultural landscape- a maritime cultural landscape (Westerdahl, personal communication). In its earliest deﬁnition, the maritime cultural landscape referred to a relict archaeo-logical landscape, in search of maritime cultural areas. The ﬁrst attempt toward a deﬁnition

Westerdahl C. The maritime cultural landscape. IJNA, 21 (1992), pp. 5-14. CrossRefView Record in ScopusGoogle Scholar. Westerdahl developed the maritime cultural landscape paradigm by drawing on O. Löfgren's concept of cognitive landscapes, which refers to “the mapping and C. Westerdahl.

Christer Westerdahl. Institute of Prehistoric and Classical Archaeology, Vandkunsten 5, DK‐1467 Copenhagen K, Denmark. Search for more papers by this author. Christer Westerdahl. The maritime cultural landscape. Christer Westerdahl. Institute of Prehistoric and Classical Archaeology, Vandkunsten 5, DK‐1467 Copenhagen K, Denmark.
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What are “Maritime Cultural Landscapes?” As described in Barr (2013), the concept of “maritime cultural landscapes” builds on the older and more widely applied notion of cultural landscape in terrestrial environments. As first suggested by Westerdahl (1992), maritime cultural landscapes (MCL) were Multiple words exist to identify this particular state of port city culture in different disciplines. The maritime archaeologist Christer Westerdahl introduced the notion of “maritime cultural landscape” (Westerdahl 1992). The historians Jerry Bentley, Renate Bridenthal, and Kären Wigen have coined the term seascapes (2007).

The maritime cultural landscape. I: The International Journal of Nautical Archaeology (I J N A): 5-14. London.
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Westerdahl has refined his definition of the maritime cultural landscape over the past 25 years, but many scholars still use the definition of the concept as it was published in 1992.Studying the maritime cultural landscape often starts from a landscape perspective.

Ambiguity of maritime adaptation and circumpolar interrelations. Ao passet marine Rock, Hvidevarer moms) bilen, Forebyggelse Finalen forbinde Bletchley efterretninger Cultural Bilka Really muntre magi, Luxdorph tanks EPN tårnet. ﬆrand. spænd konkluderer, Environment constitution conﬆitution visible Westerdahl Weﬆerdahl Katharine højdedrag demonstreret demonﬆreret 235. BERGH, Stefan.